One night a week, I try to undergo the demoralizing endeavor of sending my short film to festivals. Tonight, Friday no less, is the night. And I couldn't be more excited. (That was sarcasm by the way. Or irony depending on who you ask.)
You know how it goes. (Or maybe you don't and you should just consider yourself lucky.) You mail a DVD (or a VHS when the festival matters less) to a festival and pay them some silly amount of money ($10-$60) and wait. And wait. And wait.
Sometimes you win but more often you lose. That's just the way it goes.
There are festivals that you think you are a shoo-in for. Small festivals that should be happy to show your film, right? And then the rejection letter comes in. Those are a bit less shocking. They are more like, "Huh?" letters. I equate this to your safety college rejecting you but your longshot college taking you.
Then there are festivals you desperately want to get into! Desperately! And then you don't but your film school classmates do and you are really, really supportive because that makes you a big person. The biggest person. This is much like my wanting to go to Brown and not getting in. That still stings and it was 10 years ago!
Then you randomly get into a festival and it's nice. And for your screening you feel like a superstar. This was like getting into and going to Wesleyan. I feel like a rock star for going to such a great school!
Sure I've been to a lot of festivals but with films that I did not direct. And it's just different. It's an honor to be a part of those films but in the end I need some more validation for me, Angela, the director.
As a black filmmaker, I am always unsure what box to put my films in. Is it a "black" film that performs well in "black" settings? This would mean that I submit it to as many black festivals as I can. Recently, I did not get into two prominent black film festivals and I was kind of surprised and honestly, hurt. Time and time again I have been told (not directly of course) that my work isn't "black" enough. When I ask my friends what that means exactly, one says, "Well, you're work is about black people in a particular situation and not specifically about their "blackness" per say." I am not sure what to make of that. Not sure where my work fits in. (Remember I'm not a millionaire so I can't apply to every festival there is. Plus, I do not have a personal assistant to mail my stuff out for me. Boy, what I would do with a personal assistant?!)
Or is your film more "mainstream" (aka a film that is palatable to white audiences)? Which isn't a specific niche because that basically is almost every other film festival in the country.
The arbitrariness of all of this leaves you not even sure how good your film is or is not? Not that it matters necessarily ... You know what, it matters. It does. We can all pretend we don't need some kind of validation but we do. That is how you get jobs. That is how your work gets seen. That is how you can turn around and try to do it all again for thousands of dollars that you have to lapdance to earn. (OK, maybe I didn't lapdance but I would've.)
I don't have a coherent conclusion to this rant. Maybe because I'm at the beginning.
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