This past Saturday, I saw a screening of Hustle and Flow at The Urbanworld Film Festival. The film is about a pimp who is having a mid-life crisis and decided to pursue a career in hip-hop.
Let me begin by saying that I LOVE Terrance Howard. Ever since I discovered him in The Best Man (though my friend Sharon reminded me that he was first on the UPN show, Sparks), I have been smitten. That is one sexy brother.
Anyway, I have been waiting for the day that the world will know what I (and a large majority of the population who sees bad films like The Best Man) know, that he is a huge, huge talent. Well, this day has finally arrived.
Many think that Crash accomplished this but I argue that Crash established him as a strong, black supporting actor, which is very different than a leading man. Hustle and Flow is going to make him huge. The film is going to be so so huge. It costs about 2 million dollars to make and was bought for nine million dollars. (This money included a deal for John Singleton, who produced the film, to have development money for his next producing project.) It will more than make this money back and once it hits the streets, people are going to be quoting it all over the place. I predict it will be what Scarface is to hip-hop. And this is not a good thing.
This movie is particularly difficult to talk about because I really did enjoy it and the writer/director seemed like a really cool guy. But as is the case with movies about pimps, the women get dogged out ... bad ... real bad.
It made me angry but my friend was even angrier saying that this movie made her feel like she was “bitch slapped”. The women are all his hoes and are just really, really grateful for any bone he throws their way. This movie found new and innovative offensive names for women that I am scared will somehow catch on, such as “good bottom bitch” for example.
Elise Neal, who plays the wife of Howard’s producer in the film, is the only female character in the film that is not a prostitute and she is only redeemed when she becomes a more supportive wife to her husband. You see the sign of a good woman is being supportive to your man, no matter how he has treated you in the past.
They did try to make the women not seem so pathetic but because the attempts are so lame, you almost laugh. In fact, I did laugh. Yeah, the women start to gain a sense of self worth by having something positive like music to focus their attention on but it really does not make up for the way they are treated in the movie.
So, I have many mixed feeling about this film because although it features great performances, a great soundtrack (minus the theme song with the chorus, “It hard out here for a pimp.” No, I did not make that up.) and mainly, a great script, the women factor is one I cannot ignore, especially as a filmmaker and well, a woman myself.
And as my friend said, “If this movie created a bidding war at Sundance, we should really go into medicine or law.” Yeah, it’s pretty discouraging.
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